It struck me as I was speaking with Mara Altman at the Village Voice last week how much image and production quality matter less in a participatory media culture. We talked about this a bit. It leads me to the question of whether or not PEG access productions on the Internet have the opportunity to become more relevant, as a result?
This is not to say that all access productions are of low quality, but it is certainly an issue for some people who have criticized PEG access TV on this point. My question is whether this becomes a more important issue now in attempting to locate and contextualize PEG access productions within a participatory culture?
I’ve started a new page on the wiki titled, “Production Value” to explore this topic further.
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